EARLIER . . . .

  • On 4 July, 2016, Rhian received an honorary DMus from the University of Wales, Trinity-St David's. She was presented to the congregation in a lovely speech by the renowned writer and poet, Prof. Mererid Hopwood. Rhian's acceptance speech is at https://www.youtube.com/watch?v=ICqx80UNksM
    RS with Prof. Medwin Hughes, Vice-Chancellor, University of Wales
  • Rhian's song-cycle, A Swift Radiant Morning, to poems by WW1 poet Charles Sorley at the 2015 Three Choirs Festival (see below), was re-broadcast on BBC Radio 3 on Tuesday, 7 June, 2016.
  • Two of Rhian's compositions for soprano were presented at the Bangor Music Festival, March 1-6, 2016.  The solo piece, Yr Alarch (The Swan), a setting of a a beautiful, anonymous Welsh 14th-century poem, was included on Elin Manahan Thomas's recital on Thursday evening, March 3, along with works by Judith Weir and Roderick Williams. 
    • Ruby Hughes at a rehearsal of 
      'Clytemnestra' 
      at theHoddinott Hall, Cardiff
        The next day, Clytemnestra, 7-movement work for soprano and large orchestra c. 25" was performed by Ruby Hughes and the BBC National Orchestra of Wales conducted by New Zealand-born Tecwyn Evans. It was later broadcast on International Women's Day (8 March) on BBC Radio 3. A dramatic scena which treats the protagonist more sympathetically than do many canonical musical works (by Gluck, R. Strauss, Milhaud, etc.), its texts are taken from The Oresteia by AeschylusCommissioned by the BBC, it was first performed by Della Jones, soprano, and the BBC National Orchestra of Wales with Tadaaki Otaka, conductor, in 1994.  This work will be recorded on BIS records with Ruby Hughes as soloist and the BBC NOW in April 2108.
    • On March 7, 2016, Rhian's new work for chamber ensemble, On this Precious Earth, was performed at the Holywell Music Room Oxford by the Adesso Ensemble conducted by Cayenna Ponchione. The concert was sponsored by the Oxford University Faculty of Music. The work, for wind quintet and five solo strings (it can also be performed with winds and a string ensemble) consists of three movements, 'Diminishing glory, 'Under the night sky' and 'Lament for Paris'. It explores through music some aspects of our fragile planet, both its natural resources and its human inhabitants. The programme also included works by Nicola Lefanu, Lili Boulanger and Galina Ustvolskaya. Before the concert, Rhian and Nicola engaged in a public discussion of the situation of women composers in the present day.
    • The anthem for unaccompanied choir, Love bade me welcome (published by Stainer & Bell) to the poem by George Herbert, was sung at Evensong on both Feb. 23 and 27, 2016, by the choirs of King's College, London (director, Joseph Fort) and New College, Oxford (director, Robert Quinney), respectively, and given two wonderful performances!  The latter is now on YouTube and also on a CD of their favourite anthems by the New College Choir, just released.
    • Two new song-cycles commissioned from Rhian were premiered in the summer of 2015.  A Swift Radiant Morning was performed by Roderick Williams (baritone) and Susie Allan (piano) at the opening recital of the 300th anniversary of the Three Choirs Festival (Hereford) in July, 2015 and broadcast on BBC Radio 3 a few days later; its text is by the First World War poet Charles Sorley.
      Susie Allan, RS and Roddy Williams at St Holy Trinity Church, Hereford
      at the premiere of 'A Swift Radiant Morning', 25 July, 2015
    • Wildflower Songbook was written for the Oxford Lieder Festival, October, 2015, for Anna St├ęphany (soprano) and Sholto Kynoch (piano).  
    Sholto Kynoch, RS, Anne Stevenson and Anna St├ęphany 
    in the Holywell Music Room, Oxford, UK, at the premiere of 'Wildflower Songbook'
    28 October, 2015