Articles, books:
‘Birtwistle’s The Minotaur: the opera and a diary of its first production', Cambridge Opera Journal, 20, 3
(2009), 1-22.
‘Harrison Birtwistle’s The Minotaur’. Programme booklet, Royal Opera House, Covent Garden, April 2008.
(for 1st perf. of Birtwistle's The Minotaur).
(for 1st perf. of Birtwistle's The Minotaur).
Co-editor (with Julie Anne Sadie), The Norton/New Grove Dictionary of Women Composers (London and
New York: Macmillan and W.W. Norton), 1994
‘Women’s Music: A Twentieth-Century Perspective’, in The New Grove Dictionary of Women Composers,
xiii-xviii.
‘Elisabetta Brusa’, ‘Ellen Coleman’, ‘Silvina Milstein’, ‘Judith Weir’, ‘Julia Wolfe’ in The New Grove
Dictionary of Women Composers (see above)
‘Musical Expressions’ in Reclaiming the Muse, ed. Nicola Lefanu & Sophie Fuller (Vol. 11 of Contemporary
Music Review), Dec 1994, 257-9
‘Time Remembered: Birtwistle’s The Second Mrs Kong’, Opera, lxv (Oct 1994), 1153-58
‘Violetta and Germont’ in Violetta and her Sisters, ed. N. John (London: Faber), 1994, 258-263
‘Facing the Music’ in Women in Music, ed. David Jones, Channel 4 Publications, June 1994, 8-9
‘Editing the Twentieth Century’, ILWC Journal, Oct 1993, 22-23
‘Feminist Musicology: Endings or Beginnings?’, Women: A Cultural Review, 3, 1 (July 1992), 65-69
‘Birtwistle’s Gawain: An Essay and a Diary’, Cambridge Opera Journal, 4, 2 (1992), 163-178
‘Gawain’s Musical Journey.’ Programme booklet, Royal Opera House, Covent Garden, May 1991
(for 1st perf. of Birtwistle's Gawain). 2nd version (for revised opera), April 1994
‘Reimann's Lear: the music.’ Programme booklet, ENO, Feb 1989 (for 1st British perf. of Lear).
‘Women Composers: A Personal View’, Contact, 32 (Spring 1988), 53-54
Reviews:
‘Elaine Barkin and Lydia Hamessley, eds: Audible Traces’. Perspectives of New Music (USA),
Summer, 2002
‘Jonathan Cross: Harrison Birtwistle: Man, Mind, Music and Robert Aldington: The Music of
Harrison Birtwistle’, Music and Letters, 2001
‘David Osmond-Smith: Berio.’ Music and Letters, 73, 3 (Aug. 92), 483-5
‘Wolfram Schwinger, tr. William Mann: Krysztof Penderecki: his Life and Work.’ Music and Letters,
72, 1 (Feb. 91), 153- 55
72, 1 (Feb. 91), 153- 55
‘Philip Glass: Opera on the Beach.’ Music and Letters 70, 4 (Nov. 89), 579-81
‘Charles Wuorinen: Crossfire.’ Music and Letters , 70, 4 (Nov. 89), 597-8
‘New Music 87, ed. Roger Wright and Michael Finnissey.’ Music and Letters 69, 1 (Jan 88), 298-9
‘24th Annual RMA Conference.’ Musical Times, 130 (June 89), 368
‘Morton Feldman: Triadic Memories and George Rochberg: Four Short Sonatas.’ Music and Letters,
70, 2 (May 89), 308-10
‘Fred Lerdahl: Fantasy Etudes and Ellen Taaffe Zwilich: Symphony No. 2.’ Music and Letters ,
70, 2 (May 89), 310-12
‘Morton Feldman: For Frank O'Hara and Earle Brown: Centering’. Music and Letters, 69, 4 (Oct.
88), 569-570
‘Colin Matthews: Toccata meccanica and Three enigmas.’ Music and Letters , 69, 4 (Oct. 88),
571-73
571-73
‘Jonathan Lloyd: The Shorelines of Certainty and Nigel Osborne: Mythologies.’ Music and Letters ,
69, 4 (Oct. 1988), 570-71
'Ellen Taaffe Zwilich: Concerto and Concerto Grosso (1985).’ Music and Letters, 69, 2 (April 1988),
143-44
