WRITINGS




Articles, books: 

‘Birtwistle’s The Minotaur: the opera and a diary of its first production', Cambridge Opera Journal, 20, 3 
             (2009), 1-22.

‘Harrison Birtwistle’s The Minotaur’. Programme booklet, Royal Opera House, Covent Garden, April 2008.        
            (for 1st perf. of Birtwistle's The Minotaur).

Co-editor  (with Julie Anne Sadie), The Norton/New Grove Dictionary of Women Composers (London and     
            New York: Macmillan and W.W. Norton), 1994 

‘Women’s Music: A Twentieth-Century Perspective’, in The New Grove Dictionary of Women Composers
            xiii-xviii.

‘Elisabetta Brusa’, ‘Ellen Coleman’, ‘Silvina Milstein’, ‘Judith Weir’, ‘Julia Wolfe’ in The New Grove 
             Dictionary of Women Composers (see above)

‘Musical Expressions’ in Reclaiming the Muse, ed. Nicola Lefanu & Sophie Fuller (Vol. 11 of Contemporary 
              Music Review), Dec 1994, 257-9  

‘Time Remembered: Birtwistle’s The Second Mrs Kong’, Opera, lxv (Oct 1994), 1153-58 

‘Violetta and Germont’ in Violetta and her Sisters, ed. N. John (London: Faber), 1994, 258-263  

‘Facing the Music’ in Women in Music, ed. David Jones, Channel 4 Publications, June 1994, 8-9  

‘Editing the Twentieth Century’, ILWC Journal, Oct 1993, 22-23 

‘Feminist Musicology:  Endings or Beginnings?’, Women: A Cultural Review, 3, 1 (July 1992), 65-69 
             
‘Birtwistle’s Gawain:  An Essay and a Diary’, Cambridge Opera Journal, 4, 2 (1992), 163-178 

‘Gawain’s Musical Journey.’  Programme booklet, Royal Opera House, Covent Garden, May 1991           
            (for 1st perf. of Birtwistle's Gawain). 2nd version (for revised opera), April 1994  

‘Reimann's Lear: the music.’ Programme booklet, ENO, Feb 1989 (for 1st British perf. of Lear).  

‘Women Composers:  A Personal View’, Contact, 32 (Spring 1988), 53-54  


Reviews: 

Elaine Barkin and Lydia Hamessley, eds: Audible Traces’.  Perspectives of New Music (USA),
            Summer, 2002 
‘Jonathan Cross:  Harrison Birtwistle: Man, Mind, Music and Robert Aldington: The Music of 
            Harrison Birtwistle’, Music and Letters, 2001 
‘David Osmond-Smith: Berio.’ Music and Letters, 73, 3 (Aug. 92), 483-5
‘Wolfram Schwinger, tr. William Mann: Krysztof Penderecki: his Life and Work.’ Music and Letters, 
            72, 1 (Feb. 91), 153- 55
‘Philip Glass:  Opera on the Beach.’ Music and Letters  70, 4  (Nov. 89),  579-81
‘Charles Wuorinen: Crossfire.’  Music and Letters , 70, 4  (Nov. 89),  597-8
New Music 87, ed. Roger Wright and Michael Finnissey.’ Music and Letters  69, 1 (Jan 88),  298-9
‘24th Annual RMA Conference.’ Musical Times, 130 (June 89), 368
 ‘Morton Feldman: Triadic Memories and George Rochberg: Four Short Sonatas.’ Music and Letters,
             70,  2 (May  89),  308-10
 ‘Fred Lerdahl:  Fantasy Etudes and Ellen Taaffe Zwilich:  Symphony No. 2.’  Music and Letters , 
             70,  2  (May 89), 310-12
‘Morton Feldman:  For Frank O'Hara and Earle Brown: Centering’.  Music and Letters, 69, 4  (Oct. 
            88), 569-570
‘Colin Matthews:  Toccata meccanica  and Three enigmas.’ Music and Letters , 69, 4 (Oct. 88), 
            571-73
‘Jonathan Lloyd: The Shorelines of Certainty and Nigel Osborne: Mythologies.’ Music and Letters , 
            69, 4 (Oct. 1988), 570-71
'Ellen Taaffe Zwilich: Concerto and Concerto Grosso (1985).’ Music and Letters, 69, 2 (April 1988), 
            143-44