Articles, books: 

‘Birtwistle’s The Minotaur: the opera and a diary of its first production', Cambridge Opera Journal, 20, 3 
             (2009), 1-22.

‘Harrison Birtwistle’s The Minotaur’. Programme booklet, Royal Opera House, Covent Garden, April 2008.        
            (for 1st perf. of Birtwistle's The Minotaur).

Co-editor  (with Julie Anne Sadie), The Norton/New Grove Dictionary of Women Composers (London and     
            New York: Macmillan and W.W. Norton), 1994 

‘Women’s Music: A Twentieth-Century Perspective’, in The New Grove Dictionary of Women Composers

‘Elisabetta Brusa’, ‘Ellen Coleman’, ‘Silvina Milstein’, ‘Judith Weir’, ‘Julia Wolfe’ in The New Grove 
             Dictionary of Women Composers (see above)

‘Musical Expressions’ in Reclaiming the Muse, ed. Nicola Lefanu & Sophie Fuller (Vol. 11 of Contemporary 
              Music Review), Dec 1994, 257-9  

‘Time Remembered: Birtwistle’s The Second Mrs Kong’, Opera, lxv (Oct 1994), 1153-58 

‘Violetta and Germont’ in Violetta and her Sisters, ed. N. John (London: Faber), 1994, 258-263  

‘Facing the Music’ in Women in Music, ed. David Jones, Channel 4 Publications, June 1994, 8-9  

‘Editing the Twentieth Century’, ILWC Journal, Oct 1993, 22-23 

‘Feminist Musicology:  Endings or Beginnings?’, Women: A Cultural Review, 3, 1 (July 1992), 65-69 
‘Birtwistle’s Gawain:  An Essay and a Diary’, Cambridge Opera Journal, 4, 2 (1992), 163-178 

‘Gawain’s Musical Journey.’  Programme booklet, Royal Opera House, Covent Garden, May 1991           
            (for 1st perf. of Birtwistle's Gawain). 2nd version (for revised opera), April 1994  

‘Reimann's Lear: the music.’ Programme booklet, ENO, Feb 1989 (for 1st British perf. of Lear).  

‘Women Composers:  A Personal View’, Contact, 32 (Spring 1988), 53-54  


Elaine Barkin and Lydia Hamessley, eds: Audible Traces’.  Perspectives of New Music (USA),
            Summer, 2002 
‘Jonathan Cross:  Harrison Birtwistle: Man, Mind, Music and Robert Aldington: The Music of 
            Harrison Birtwistle’, Music and Letters, 2001 
‘David Osmond-Smith: Berio.’ Music and Letters, 73, 3 (Aug. 92), 483-5
‘Wolfram Schwinger, tr. William Mann: Krysztof Penderecki: his Life and Work.’ Music and Letters, 
            72, 1 (Feb. 91), 153- 55
‘Philip Glass:  Opera on the Beach.’ Music and Letters  70, 4  (Nov. 89),  579-81
‘Charles Wuorinen: Crossfire.’  Music and Letters , 70, 4  (Nov. 89),  597-8
New Music 87, ed. Roger Wright and Michael Finnissey.’ Music and Letters  69, 1 (Jan 88),  298-9
‘24th Annual RMA Conference.’ Musical Times, 130 (June 89), 368
 ‘Morton Feldman: Triadic Memories and George Rochberg: Four Short Sonatas.’ Music and Letters,
             70,  2 (May  89),  308-10
 ‘Fred Lerdahl:  Fantasy Etudes and Ellen Taaffe Zwilich:  Symphony No. 2.’  Music and Letters , 
             70,  2  (May 89), 310-12
‘Morton Feldman:  For Frank O'Hara and Earle Brown: Centering’.  Music and Letters, 69, 4  (Oct. 
            88), 569-570
‘Colin Matthews:  Toccata meccanica  and Three enigmas.’ Music and Letters , 69, 4 (Oct. 88), 
‘Jonathan Lloyd: The Shorelines of Certainty and Nigel Osborne: Mythologies.’ Music and Letters , 
            69, 4 (Oct. 1988), 570-71
'Ellen Taaffe Zwilich: Concerto and Concerto Grosso (1985).’ Music and Letters, 69, 2 (April 1988),